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One Adin vintage eternity band (check Google for the rest of the ingredients)
Put on the ring before you start cooking, then check Google how to proceed.
Reason for the ring in this recipe?
Why not? Any reason to wear antique and estate jewelry is a good one.
This jewel reads: + qu hier - que demain. This is inspired by a beautiful and romantic French poem by Gérard Rosemonde (1871 - 1933) called 'Les Vieux'. It comes from the sentence 'Et, comme chaque jour je t'aime davantage, aujourd'hui plus qu'hier et bien moins que demain' and it means 'And because I love you more and more each day, today more than yesterday but less than tomorrow'.
Awww the French! They do have a way with words...
For this week's mail, we would like to suggest a simple exercise. All you need to do to prepare yourself, is to literally take a mirror by the hand. If you would like to give it a try, here we go:
First, look at this picture of a young lady and then check out yourself in the mirror that you just took. Look back at the lady on the photo, and then back at yourself again. Now explain to yourself why it would be ok for her to wear an antique piece of jewellery and why not for you?
We notice that some people see the image of their own grandmother when they look at antique and vintage jewellery. Our advice: don't automatically picture someone who generally wears antique jewellery as someone from the same era of that piece. Everyone and everything of any age is so much more than just their age: they're a story, they've got depth. Don't write off that one treasure that has caught your eye and captured your heart just because of its age. Wear it, just because you want to. And wear it bold, because you define the jewel and not the other way around!
Now take a look at the lady on the picture and then in the mirror one last time. Don't you agree that the only bad thing about what you see is that this necklace isn't around YOUR neck?
Reverse intaglio crystal or English Crystal - A crystal cut in the form of a cabochon, shallow or domes, that is carved in intaglio on it flat back with a motif that is realistically painted in minute detail and is surrounded by a transparent ground. The deeper the carving, the more pronounced the three-dimensional trompe l'oeil effect, which is sometimes enhanced by a backing of thin layer of mother-of-pearl. The carved motif, for pieces mounted in a circular gold band as a tie pin, cuff links, button, or studs for men, was usually a racing horse, game bird or dog, and for pieces in a brooch or a locket for women, a floral design or a monogram; some examples depict an insect or a coaching scene.
The technique was originated by Émile Marius Pradier, of Belgium, c. 1860 (he made the only known-signed example). In England it was developed by Thomas Cook in the early 1860s and carried on by his pupil Thomas Bean and the latter's son Edmund and grandson Edgar (d. 1954).
After the popularity of the pieces in the late Victorian era, the high quality deteriorated by the 1920s, when examples were also being made in France and the United States (some modern pieces depicting motor cars and aeroplanes). The crystals have long been identified with the Hancocks firm. The crystals have sometimes been referred to by the misnomers 'Essex Crystal' or 'Wessex crystal', owing to the erroneous assumption that they were decorated c. 1860 by the enamel portrait painter William Essex (d. 1869).
Imitations have been made of carved and painted glass, and even of a glass cabochon above a printed paper design.
As their name suggests, moonstones have been associated with the moon over various cultures and ages due to their typical milky bluish effect and white reflections reminiscent of the full moon shining through a veil of clouds.
With its appearance, man has attributed the same gifts of the moon to moonstones. As the moon renews itself monthly, so would moonstones retain youth, restore broken love and improve fertility. As the moon influences the tides, so would moonstones protect against stormy waters. Legend even has it that the ever-changing blue and white lustre of a moonstone is a sign of a beneficent spirit dwelling within.
It's clear that a lot of history and lore hides within this gem. But of course, no need for any excuse to purchase a charming ring with a moonstone as its center. And yet, it wouldn't hurt to give it a rub to see if a genie pops out, would it?
This obvious exquisitely crafted Italian Fifties 18K rose gold bracelet chain is the carrier of an 18K yellow gold charm representing an African tribal mask. Not only in style and appearance does this mask strongly resemble those of the African Lega tribe, situated in the eastern Democratic Republic of Congo.
Also, just as Lega masks are usually handheld or appended to the body, and not worn over the face -in contrast to typical masks from other African cultures-, this mask is also made to wear on the wrist and clearly not over the face.
Generally, exclusively the members of the highest ranks of this community are allowed to own and show these masks, which made the Lega mask to evolve into and serve as a sort of passport proving who you are and where you're from. This bracelet could just be your permit to yet to discover worlds, who knows...
For both the characteristics of its quality as for more information about these masks, we invite you to visit the jewellery webpage of this outstanding and unique piece.